FireFlow

Workshop Journal · Chapter 14

The accent

A pattern that played every note exactly the same finally stops doing that — the first note keeps full strength, DENSE decides how many quieter ones join it, DEC decides how much room they have, and a note played by hand stops borrowing the sequencer’s last one

16 Aug 2026

Every note struck the same

v2.21.4 · per-note dynamics in STEP · no new control

In STEP a deck played every note at the same level and for the same length. Pitch moved, placement moved, nothing else did — which is why a busy pattern sounded like a machine running rather than like somebody playing.

There is no new knob for it, and there was never going to be one: the panel is full. The signal was already in the box. A pattern has an order — which note is there when almost nothing is, and which ones only turn up once you open it — and that order is now the dynamic.

So the first note is the anchor and strikes at full strength. Every note DENSE adds after it arrives a little softer and a little shorter than the one before. Close DENSE back down to a single note and it is loud again. The animation appears as the pattern fills in, which is where the ear goes looking for it.

the same cell, opened up — and everything that joined the anchor is smaller than it

DEC decides how much of that there is. The accent may only shorten a note as far as DEC has opened it: at DEC 0 it cannot touch the ring at all, at DEC 1 the quietest note of a full pattern rings about a third as long. The knob still says how long a note is. The accent only ever subtracts from it.

FLOW gets none of this, deliberately. A FLOW deck is a drone, and per-note dynamics there would put movement in the one place the design wants stillness.

One thing fell out along the way. A note played by hand used to inherit whatever the sequencer had last pushed into the engine, so a press could land at roughly forty per cent for no reason anybody could see. A hand-played note is an anchor by definition, and now it strikes like one.

Session recording · v2.21.4 · the accent on the bass first, then on bass and pad together

Both depths sit at 30 %, both picked by ear on the first try, and both deliberately the same number — so that the first evening of proper listening has to say out loud which of the two wants to be different. The take above is that evening starting.

Download — v2.21.4 grab your platform’s .vcvplugin and drop it into Rack’s plugins-<os> folder · put a deck in STEP and open DENSE · all versions

FireFlow — a workshop journal for a small ambient groovebox.

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